Elizabeth Hudson is an artist who researches commons, public space and the political ambiguities of tradition. She is currently based in Lisbon.
Elizabeth was a founding member of curatorial collective VERBureau, with whom she exhibited work in ‘Penumbra’ at APT Gallery, London (2014) and co-curated the projects ‘The Gift, If There Is Any’ at Artlicks Weekend (2015), which was shortlisted for the Workweek Prize; ‘Who Owns The Cone?’ at Likky Ruph, Brooklyn, New York (2016) and ‘Pokey Hat’ at New Glasgow Society for Glasgow International (2016), for which she chaired the discussion ‘The Social Histories of Ice Cream and the Urban Environment’.
Šilainių Bitės, Šilainiai Project, Kaunas, Lithuania, 2019
Glint, Glasgow Project Room, Trongate 103, Glasgow, 2017 // Supported by Scottish Sculpture Workshop residency
Logic may indeed be unshakeable, Intermedia, Centre for Contemporary Art, Glasgow, 2016 // Shortlisted for Watershed / Pervasive Media Studio Emerging Artist 2015
Power Cut, Bocs Celf, Caernarfon, Wales 2015.
The Common, EIRPAC/MEXE International Art and Community Festival, Porto, Portugal, 2019
Something Beautiful, La Vallée, Brussels, Belgium, 2019
The Lion's Face, The Pipe Factory, Glasgow, Scotland, 2018
Rites and Terrabytes Interformat Symposium, Nida Art Colony, Lithuania, 2018
Tilting at Windmills, Glasgow International, Glasgow, Scotland 2018
Installation commission at BE Festival, Birmingham, England 2017
Keir Street Kitchen, Glasgow Open House Arts Festival, Scotland 2017
Workshop and performance at Supernormal Festival, England 2015
Penumbra, A.P.T Gallery, London, England 2014
My Head Is An Animal, South Square Gallery, Bradford, England 2013 /14
Miniworks II, Schillerpalais, Berlin, Germany 2011
BA (Hons) Fine Art, Glasgow School of Art, 2009 – 2013 // exchange semester Universität der Künste, Berlin, 2011-12